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Archive for the ‘Events’ Category

The Book Launch of Tess, and How Tracey Farren’s Novel was Adapted into an Award-winning Movie

Panel discussion at Tess launchTess

 
The launch of Tess was an both an opportunity to enjoy the success of Tracey Farren’s novel, originally published as Whiplash in 2008, and a chance to share in where the story is going over the next few months.

The room was filled with longstanding supporters of the women responsible for bringing the story of Tess to life in print and on screen, as well as new fans who have yet to experience Whiplash/Tess. The buzz of excitement and joy at what the story has achieved made for a warm and meaningful event filled with very interesting conversation.

Colleen Higgs, publisher at Modjaji, began by speaking about the electrifying manuscript Tracey Farren delivered to her via Ron Irwin a decade ago. The history of Modjaji Books is intertwined with the novel, as it was the first work of fiction to come out of the young company and is a continuing inspiration for Colleen. Whiplash being made into a movie was always her dream, but it took a long time to come to fruition.
Tracey Farren at Tess launch
Tracey Farren described how she came to write Whiplash in the first place. She was intrigued by the prostitutes she encountered near her home daily and, like many of us, she wondered “Why do they do this? And how did this come to be the life they live?” Delving deep into the issues and heartbreaking realities of our society eventually gave birth to Tess, a young prostitute surviving on pain medication in Muizenberg. Tracey says Tess is a character she was deeply in love with, and translating her into a film script was a magical process.
Meg Rickards at Tess launch
Meg Rickards told us she was given Tracey’s novel by a friend. She did not expect to be as bowled over by itas she was, but she couldn’t put it down and read through the night until she finished it. Meg’s empathy for Tess, a character so removed and different from her, was so thorough that her pillow was sodden when she got to the end of Whiplash. She immediately got in contact with the publisher, but found that the film had already been optioned. After a year of waiting, she got the news that the previous deal had expired, and film rights were hers if she wanted them. So the whirlwind of funding campaigns, script rewrites and making a masterpiece on a shoestring budget began. In the end, she had enough budget for 24 days of filming, and was constantly thinking about how to do more with less.
Christia Visser at book launch
A little way into the discussion Christia Visser, the lead actress in Tess, arrived and joined the discussion. She initially wanted to say no to the role of Tess, because she was intimidated by what she would have to feel as she acted out the life of the young prostitute. Colleen says in her early fantasies about the movie she hoped to see Charlize Theron play Tess, but said that in fact Christia was perfect for the movie and even better she had imagined. Tracey commented whatever acting Christia does after Tess will be easy compared with her nuanced and complex portrayal of Tess.

The panel wrapped up their discussion by talking about the process of adapting the novel into a screenplay. Tracey was the screen writer and began the process by refining and focusing the story as she rewrote. Meg said that she could not hope to improve upon the novel as she translated to film; as director she could only be inspired by Whiplash and try to pay homage to it with her adaptation. Christia Visser’s interpretation of the character of Tess was another layer of adaptation, and the final step in bringing the story to life.

Meg and Tracey also both spoke of how the screenplay was changed due to constraints while filming – like service delivery protests in Masiphumelele and the weather changing to rain. Also in the process of editing, scenes that were shot had to be cut.

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Here are some photos from the event:

Ladies at the launchGroup at the launch

 
 
Here are some highlights from the event on Twitter:

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Related posts:

 
 
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Join Us for Our Muizenberg in the Movies Party to Celebrate the Launch of Tess

Tess book cover

 
Come and celebrate the launch of Tess the movie and Tess the book, both set in Muizenberg, and 10 years of Modjaji Books at The Striped Horse in York Road, Muizenberg, on Wednesday, 1 March.

Meet the author Tracey Farren, Director Meg Rickards, and the star of the movie Christia Visser.
Meg will talk about making the movie and show clips of the movie, Tracey will read a scene that was filmed, and Christia will talk about what it was like playing Tess.

Books will be on sale and available for signing, and there will be free movie tickets up for grabs!

Meg Rickards workingTrain MuizenbergTracey Farren
Tess hair in windTess on the road

 
 
Don’t miss this!

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Tess


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The Film Tess has been Picked Up for International Distribution – Don’t Miss the Book and Film Launches!

Tracey FarrenTess Film PosterMeg Rickards

 
The movie Tess, based on Tracey Farren’s debut novel, has been picked up for international distribution by The Little Film Company.

The film was directed by Meg Rickards and produced by Paul Egan and Kim Williams. It has already won awards and hearts at film festivals, and it will be released on the local circuit on Friday, 24 February.

Read more about the international distribution deal here:

The Little Film Company, a motion picture sales and marketing company founded by Robbie and Ellen Little, is no stranger to the South African film industry, the company previously distributed the 2005 Academy Award Best Foreign Picture winner Tsotsi.  “Tess is a very moving and provocative film and we are all incredibly excited to be bringing it to the world”, said Robbie Little.

Watch the trailer for Tess here:

 

 
Director Meg Rickards wrote an article for Mail & Guardian about why she was committed to making this film. She believes it is crucial that women say “No – systemic sexism can never be tolerated,” and keep on saying that as long and as loudly as necessary.

The story of Tess, a young sex-worker, is one that offers a barometer of how dire sexual violence is in our society. It is not intended to be a general representation, but one story about about one woman, and one voice joining the shout to say “No!”

Read the article

Given that I’m a filmmaker — not a nurse, educator or social worker, who would have infinitely more practical responses — this is what I could do about the things that keep me awake at night: make a movie. I have this mad hope in the power of cinema, not to change the world (if only!) but to nudge it. Cinema’s punch, I believe, comes from its capacity to create empathy and on this basis I challenge viewers to take 88 minutes to walk in Tess’s battered boots.

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Tess

Don’t miss the opportunity to hear the author, the director and the publisher of Tess discuss the story at one of these events:

Colleen Higgs, publisher, will be in conversation with author Tracey Farren and Meg Rickards, director of the movie. Entrance is free. Please RSVP to The Book Lounge: booklounge@gmail.com or 021 462 2425.

  • A screening and panel discussion with the WITS African Centre for Migration & Society in Johannesburg on Friday, 24 February at Wits University.

Details to follow.

  • The Nonceba Family Counselling Centre’s fundraising screening of Tess at the V&A Nu Metro on Sunday, 26 February at 7 pm

Author and screenwriter Tracey Farren, director Meg Rickards and lead actress Christia Visser will join Pauline Perez from the Centre for a Q&A after the screening. Tickets cost R150 and include popcorn and a soft drink – please email noncebafcc@gmail.com to book.

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Here is a list of cinemas that will screen Tess on release day, 24 February:

STER KINEKOR:

  • Bridge
  • Brooklyn Commercial
  • Cresta
  • East Rand Mall
  • Garden Route Mall
  • Gateway Commercial
  • Irene Mall
  • Colonnade
  • Rosebank Mall Nouveau
  • Somerset Mall
  • Tiger Valley
  • Vaal Mall

NU METRO:

  • Menlyn Park
  • V&A Waterfront

INDEPENDENT:

 
Don’t miss out!

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Image of Meg Rickards courtesy of PinkVilla


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All you wanted to know about publishing but didn’t know who to ask

Small Publishers' Catalogue, Africa 2013Small Publishers' Catalogue 2010aspc-2016-v1

 
Everything you wanted to know about getting published in South Africa and didn’t know who to ask!

Some of the questions that will be addressed are:

• What are the reasons to seek publication?
• Will I become rich and famous?
• Should I find a publisher for my manuscript?
• Should I self publish?
• What are the pros and cons of each option?
• How do I find the right publisher?
• When do I know if my book is ready for publication?
• How do I find an agent?
• Do I need an agent?

Colleen Higgs is a writer and publisher. She started Modjaji Books in 2007 and before that she worked at the Centre for the Book where she did many things including mediate the world of publishing for new writers. She is the author of several books most relevantly for this seminar: A Rough Guide to Small Scale and Self Publishing and a pamphlet series about writing and publishing and several catalogues of Small Publishers in Africa. Modjaji Books is an independent feminist press that has published over 100 books and sold rights internationally for a number of it’s authors. Higgs has participated in the Frankfurt Book Fair since 2011 and has been involved in many other local book fairs and literary festivals.

CAPE TOWN SEMINAR
Venue – Centre for the Book
Date: 25th February (Saturday)
Time: 10 to 1.00 (3 hours)
Email info@modjajibooks.co.za to book
Cost: R700

JOZI SEMINAR
Venue – BRIDGE BOOKS
Date: 8th March (Thursday)
Time: 18h00 to 20h00 (2 hours)
Email info@modjajibooks.co.za to book
Cost: R600

Both seminars include a resource list and an African Small Publishers’ Catalogue .

Numbers are limited, so book early to avoid disappointment.

Event Details

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Looking for Trouble


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Book to movie: Tess by Tracey Farren

Black & White_ Low Res-7Tess book coverModjaji Books and The Book Lounge are very excited to invite you to the launch of TESS by Tracey Farren. TESS is the movie tie-in version of Tracey’s first novel that we originally published as Whiplash back in 2008. For the Cape Town launch of the novel, we are hosting a discussion between Tracey Farren (the author) and Meg Rickards (the director of the movie) about the process of turning the novel Whiplash into the movie Tess. Colleen Higgs the publisher will host the discussion. We’d love to see you there.

The movie opens in South Africa at Ster Kinekor cinemas on the 24th February. The movie has already won several awards and received high praise from reviewers.

‘[Tess] digs its nails into you from the word go … raw, tender, and laugh-out-loud funny – a kickarse gem of a book. Told with startling poetry in the grittiest of emotional landscapes, [it] puts Farren on the map as a wordsmith of astonishing talent.’ – Joanne Fedler

‘Farren shows that she has a true gift for getting into the hearts of very ordinary people while astutely setting the South African sociopolitical context.’ Jane Rosenthal, Mail & Guardian

When the book was published as Whiplash by an unknown debut author in 2008, it was short listed for the Sunday Times Fiction Prize in 2009, and the author received A White Ribbon Award from the Women Demand Dignity Advocacy Group.

A gut wrenching story of a Muizenberg sex worker, Tess who pops painkillers by the handful and sells her body to strangers. When a condom breaks, Tess’s life swings one eighty degrees. She gives up her drugs until she can get to an abortion clinic. Her cold turkey opens up a window in her mind, whipping Tess into a shattering understanding of how she got here. Tess’s quirky humour, raw honesty and deep love of beauty lead her to find redemption in astonishing places. This book has a huge heart, like Tess, revealing that there is something in everyone that cannot be touched. Not by human hands. Not ever.

Tracey Farren lives a stone’s throw from the Cape Point with some children, a luthier and a pack of dogs. She has a psychology honours degree and worked as a freelance journalist for several years before her muse called her to fiction. Tess is a new edition of her first acclaimed, award-winning novel, Whiplash. Her second novel, Snake was published in to critical acclaim and she has just finished writing her third novel, The Rig.

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Tess
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Book Launch: Unlikely by Colleen Crawford Cousins

IMG_0036Modjaji Books and The Book Lounge are delighted to invite you to the launch of Colleen Crawford Cousins’ debut collection of poems, Unlikely.

As the publisher, I’m particularly thrilled to bring out this collection. Colleen Crawford Cousins was my first Modjaji matron, and she is my very dear friend. Her writing is strong, deeply felt, full of life, humour and shining intelligent clarity. It is my enormous honour to be Colleen’s friend and publisher and to bring her work into the light.

“Wry narratives, stored for decades, distilled and reclaimed fleeting feelings and feelings made to last in their weird word forms, meet and fitting.” Joan Metelerkamp

“In acutely observed poems, imbued with surprising geographies of imagery and tinged with irony, Crawford Cousins maps out the spaces between immensity and confinement, where people struggle with each other and themselves for a sense of fulfilment and belonging.” Kelwyn Sole

Unlikely front cover

Unlikely is a collection of poems by Colleen Crawford Cousins written over decades of reading and writing poetry. The collection is a distillation of a quiet, powerful voice that is an offering of love in a world and life that has been filled with light and anguish.

Colleen Crawford Cousins returned to South Africa in 1991 and began to live in the Afterwards. She consults nationally as a trainer, facilitator, writer and editor. She has been published in New Coin, Aerodrome, African Writing online and Stray. She is also the author of A Hundred Furrows, the Land Struggle in Zimbabwe 1890-1990 and a co-author of Lwaano Lwanyika, Tonga Book of the Earth.

Event Details

  • Date: Thursday 2nd March 2017
  • Time: 5:30 PM for 6:00 PM
  • Venue: The Book Lounge, Corner of Roeland and Buitenkant Streets, Cape Town
  • Guest Speaker: Colleen Higgs
  • Refreshments: Come and join us for a glass of wine
  • RSVP: Book Lounge, booklounge@gmail.com, 021 462 2425
    www.modjajibooks.co.za

Unlikely
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Book Launch: How to Open the Door by Marike Beyers

How to Open the DoorThe National English Literary Museum and Modjaji Books are delighted to invite you to the Grahamstown launch of “How to Open the Door” – poems by Marike Beyers. She will be introduced by Robert Berold.

Lonely, lovely and lyrical, Marike’s poems tell a uniquely South African story in a uniquely South African voice.

“Here is a distinctive new voice in South African poetry. Marike Beyer’s writing is both simple and highly complex at the same time, delicate and tender and hard and angry. She brings her own unique perspective to the old themes of family, home and identity.” Kobus Moolman

Marike Beyers lives in Grahamstown. Her poems have appeared in New Coin, New Contrast, Loop, Ons Klyntji, Aerial and Tyhini as well as a few anthologies (The Sol Plaatje EU Poetry Anthology; The Ground’s Ear; For Rhino in a Shrinking World). She has an MFA in Creative Writing from Rhodes University. She acted as judge for the Dalro prize and the Percy Fitzpatrick Prize upon occasion. In 2011, she had a chapbook of poems, On Another Page, published by Aerial Publishing in Grahamstown.

Marike Beyers

How to Open the Door
Event Details

  • Date: Tuesday, 15 November 2016
  • Time: 5:30 PM for 6:00 PM
  • Venue: National English Literary Museum, 25A Worcester Street, Grahamstown
  • Guest Speaker: Robert Berold
  • Refreshments: Come and join us for a glass of wine
  • RSVP: Matshoba Zongezile, NELM, z.matshoba@nelm.org.za
    www.modjajibooks.co.za

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“One of the most affordable return tickets to Uganda” – launch of Flame and Song by Philippa Namutebi Kabali-Kagwa

Flame and SongI don’t get to go to the launch of every book that Modjaji publishes. I was very glad to get to The Book Lounge launch of Philippa Namubeti Kabali-Kagwa’s memoir, Flame and Song, that we published in time for the Women’s Day Story Cafe at the Artscape. Last Tuesday was the “official” launch, and The Book Lounge was full of people from East Africa.

Malika Ndlovu framed the launch with her beautiful voice, almost like a praise singer. It set the tone for an evening of story, song, memories – it made it feel a little as though we were sitting around a fire – while Philippa was interviewed by two young women, Diana Mutoni and Sandrine Mpazayabo, friends of Philippa’s daughter, Faye.

They asked unflinching questions about Philippa’s life, the difficulties and challenges and the many griefs she has experienced. Philippa responded to all of the questions, however challenging with grace and warmth. Philippa also read from her beautiful memoir, both poetry and prose excerpts, I was left feeling filled up with song, poetry, and a sense of family and community and love.

For more photographs of the launch click here These photographs were taken by Neo Baepi.

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Book Lounge launch interview with Ishara Maharaj

Ishara Maharaj’s debut novel, Namaste Life, tells the story of a pair of Hindu twins who leave their home in Durban to study in Grahamstown, only to encounter the kind of tragedy that makes parents want to keep their daughters close. The novel launched at the Book Lounge in Cape Town on 20 July 2016 with a discussion that tapped into the novel’s many facets, such as the dark themes of rape, victim-blaming, and the clash between contemporary life and religious belief. Ishara also shared her thoughts about portraying the Durban Hindu community, the role of Hindu mysticism, and the balance of tragedy and celebration that the story maintains. For those who missed the launch, she has written up her responses to the discussion questions.

Namaste Life Book Lounge launch

Image by Leanne Brady

Part of the novel is set in Durban, where you’re originally from, and the twins go to university at Grahamstown, where you studied. Can you tell us a bit about how those influences emerge in the novel?

One of the initial sparks for writing this novel was reading fiction by other local authors. Rayda Jacobs’ Confessions of a Gambler tackled deeply held beliefs within the Cape Muslim community and got me thinking about how very little has been written about the Durban Hindu community in modern-day terms. While the Hindu community remains strong in terms of its Indian roots, many young people like myself left Durban for better employment prospects, and our lives have changed. I wanted to write about those everyday struggles that young people from this community face, and to express that, as South Africans, we all experience similar struggles irrespective of our cultural or religious backgrounds.

Are you at all similar to your protagonists?

The twin girls in Namaste Life represent different aspects of my personality in some sense. Surya is the rebellious party girl; Anjani is gentle, studious and generally curious about the world. Both are confident in their own ways. Surya has the spontaneity most people wish they had, and Anjani grapples with her connection to the universe while living her life on this planet. I like to think of myself as spontaneous at times, but deeply curious about our subconscious and dreams, as well as the mysteries of the universe! Both Surya and Anjani display resilience and authenticity, two traits I certainly value in myself and in others.

Surya is the quintessential party girl: she’s obsessed with her appearance, wears lots of sexy clothing, has quite a reputation for partying and drinking, flirts with lots of guys, etc. Anjani, is the complete opposite: she’s studious, dresses modestly, has no interest in partying, and is quite devout. As a result it almost seems like Surya’s being set up for victim-blaming when she gets raped. She’s the ‘bad girl’ some people picture when they assume that women must somehow be asking for it. In fact, that’s the exact reaction her mother and grandmother have – they believe the rape is Surya’s fault because she was ‘misbehaving’ as usual. How does the novel tackle this issue? How would you like readers to approach it?

When I wrote these scenes in the novel, it was never my intention to set Surya up for victim-blaming. As we know, the notion that the way a woman dresses makes her more prone to be raped is a complete myth, and a ridiculous one at that, given the fact that all kinds of women are raped under varied circumstances. My intention for including a rape in this novel was to get readers to talk about the subject from a healing perspective i.e. what happens to women and their families after a rape? How do we heal? And if a rape occurred in our family circles, how would we deal with it? The reactions from Surya’s mother and grandmother are extremes to create emotional turmoil in readers’ minds. But if Namaste Life can be discussed among just one group of women in South Africa, I would be happy. More specifically, if our young girls in high schools can talk to their mothers and families about rape and sexual assault and how it affects our lives, my aim would have been achieved.

The dialogue captures the nuances of the Durban Indian dialect; if you’re familiar with it, you can really hear the voices as you read. Was it quite a challenge to capture that dialect on the page, or does writing it come naturally to you?

I think my years growing up in Durban has ingrained that dialect in my head, so I definitely heard it as I wrote, but my studies in linguistics and the mechanics of language really helped me to understand it in terms of social register and spelling. It gave me new appreciation for the slang as well. And there was no way to avoid using the dialect – it just makes for a more believable setting and more authentic characters.

In the Durban Hindu community, the women’s lives are characterised by intense scrutiny: the neighbours are always watching and gossiping. Initially there’s an element of humour to it, but after Surya is raped, her mother and grandmother’s reactions are defined, not only by their religious beliefs, but by their concerns about what the neighbours are going to say if they find out that Surya lost her virginity. Much of the tension in the story comes from this problem. Can you tell us about articulating that difficult mother–daughter relationship? Nirmala wants very much to protect her daughters, but her care ends up manifesting as cruelty.

This kind of scrutiny among women is not endemic to the Indian community. We have all heard the phrase ‘keeping up with the Jones’s’. In this case, it’s keeping up with the Harsinghs! Saving face in the community is a traditional facet that is particularly important for the older generations. It comes from a sense of pride in what has been achieved by families, and some women take it to the extreme when they show off about their husbands’ or children’s achievements. The twins’ mother Nirmala is proud of her family’s status within the community and she wants to uphold that at all costs – even to the point of being cruel to her own daughter. We see the complete insignificance of that community status in Surya and Anjani’s lives and belief systems and this produced the tension to stir the emotional pot between mother and daughters.

It’s interesting to compare Nirmala and the grandmother, Nanima, to the twins’ father, Ashok. He’s unfailingly kind and supportive, which makes his character so much more likeable, but it’s worth noting that, as a man in this community, he doesn’t have to worry about the neighbours and the gossip. In fact he only talks about it in relation to how it affects his wife’s health. Would you say he’s the better parent, or does he just have the freedom to be more loving?

I wouldn’t say he’s a better parent, but he certainly has a different parenting style. It goes back to the way mothers are with their sons and the special bonds between fathers and their daughters. In the Indian community, mothers tend to be harder on their daughters to prepare them for the world outside their childhood homes. But fathers want to shield their daughters at all costs and so they tend to be more loving. Ashok represents a slightly different take in this case, as he allows his daughters to go away to Grahamstown for university. This isn’t usually an option in more traditional Indian homes where sons are typically given more freedom than daughters.

Ashok’s a wealthy, successful businessman, but he’s also quite inept as an adult; his wife and mother-in-law do all the work of looking after him at home. There’s a funny scene where he’s packing for a trip, but he and Nirmala aren’t talking to each other, so he can’t ask her where his underwear is kept and has to look through all the drawers until he finds it. Is that typical of the gender dynamics in the community? 

Surprisingly, it is the case within the Indian community and it goes back to the way mothers traditionally raise their sons and daughters. Sons are taken care of to the point where some of them have never cleared the table or washed a plate in their youth. They get married and their wives – those daughters raised to care for the men-folk – take over from their mothers as caregivers rather than partners. Of course, this has changed over the years with modern family dynamic and more women having full-time careers, but I personally know of men in my own generation who have their wives packing and even buying their clothes!

The Hindu gods Ganesh and Parvati are in the background watching the whole story play out and tweaking things here and there, helping the characters out with symbolic dreams. Can you tell us a bit more about the role of Hinduism and the gods in the story?

I did not want the novel to be too preachy, but I wanted readers to get a feel for some Hindu concepts, particularly the connection to dreams as well as the concepts of karma and the cyclical nature of life. I have personally been fascinated by dreams, the subconscious and the connection to higher powers that dreams provide. For example, there is a certain time on the Hindu calendar dedicated to the worship of ancestors, and many Hindus find themselves dreaming of loved ones who have passed on, even without them knowing that it is the time for ancestral remembrance. I also really do feel that life is cyclical in nature – we simply cannot appreciate the good things and good times in our lives without going through some struggles. We also have the power to influence our futures by the actions we take in this time. Karma is not all set in stone! Hinduism and all its mysticism is an inherent part of the Hindu community so I had to refer to it in Namaste Life for a more authentic read. Dreams and the connection to ancestors are part of other cultures in South Africa as well, so this is a great point of conversation between different cultures.

Although the story deals with rape, victim-blaming and religion, it also has a light side with a Bollywood-style romance for Anjani. Why did you choose to juxtapose those two plots?

I suppose I felt that this novel needed to balance out with a great romance. Life is seasonal and we can never suffer forever. Anjani is seen as the supportive sister throughout the novel, but she needed to have her own story. Her romance with Himal and the wedding isn’t actually all Bollywood! Hindu weddings in South Africa do have ceremonies that span three days (I think it can span five days in India!). And the traditional Indian dress is bright with amazing fabrics and costume jewellery, so if you ever attend a wedding in Durban or Joburg, you may feel that you are in a Bollywood movie, but the dress and the celebrations are very much standard practice!

Interview by book blogger and editor Lauren Smith.

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Massive Modjaji stock clearance sale

Publishers loungeWe have a big website sale planned, but in the meantime these titles are 50% off – you can email info@modjajibooks.co.za if you are interested in buying any of them. Only while stocks last. There are some fantastic titles on sale at a huge discount.

What with On the Dot closing and having been publishing for 9 years now, and some slightly ambitious and optimistic miscalculations in print runs, and especially needing space in my lounge and dining room for normal human activities I’ve decided to have a massive stock clearance sale. You could buy books for a library of your choice as a Mandela Day gift to the library.

The list of the 50% off titles is below. All other titles on the website for now are 10% off – Only While Stocks Last

Haidee Kruger’s The Reckless Sleeper (poetry)
Piecework by Ingrid Andersen (poetry)
Strange Fruit by Helen Moffett (poetry)
Pleasure in Relating by Susan Groves (poetry)
Sarah Frost Conduit (poetry)
Kelwyn Sole Absent Tongues (poetry)
Beverly Rycroft missing (poetry)
Fiona Zerbst Oleander (poetry)
Arja Salafranca Beyond Touch (poetry)
Fran Zieman This Listing Place (poetry)

Arja Salafranca’s The Thin Line (short stories)
The Bed Book of Short Stories edited by Joanne Hichens and Lauri Kubuitsile (short stories)
Danila Botha’s Got No Secrets (short stories)
No Sacred Cows by Chris Nicholson (short stories)

Jane Katjavivi Undisciplined Heart (memoir)
Karen Lazar’s Hemispheres: Inside a stroke (memoir)

Priscilla Holmes Now I See You (crime fiction)
Whiplash by Tracey Farren (new edition coming out with the movie, Tess in Feb 2016) (novel)

You could also buy books for a library, Modjaji will deliver the books for free if you spend R1000 on books.

And if you spend R500 – you will get a mystery discount.

All other titles on the website for now are 10% off – Only While Stocks Last

For more information on each title go to the website


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